Hand of Glory (digital)

Yes, a digital hand, with 5 digits. I did this a while ago for a contest, it’s a skateboard deck design. I made it in Photoshop.

 

Eye in Hand of Glory

Eye in Hand of Glory

 

I wanted to post it now because:

a.) I think it’s cool

b.) My next project may focus on a similar subject, but in a low-key, darkly rendered oil painting on wood panel.

 

 

 

 

The Ghost Girl of Willowglen Manor

I finished this project, “The Ghost Girl of Willowglen Manor”.

I started to get a little crazy in the foreground but painted over some of the weird ice-landscape I had made – I’ll save that for another painting. I really love unplanned weird plant life and strange rocks and stuff…the other project I am working on now has a lot of that too.

This is oil on canvas board, 14×18 inches:

 

The Ghost Girl of Willowglen Manor

The Ghost Girl of Willowglen Manor

 

This was a relatively quick and simple painting compared to my other works. I didn’t keep track of the hours like I normally do so I’m really not sure how long I spent on it, but probably 8  to 12 hours over about 3 months.

Here’s the previous post about this painting: Ghost Girl work in progress

A Country Girl Near the Dream City (revised – 2012)

I’ve been taking some previously completed paintings that I wasn’t happy with and making some changes to them when I thought that spending the time would be worth it. I recently made some big but fairly quick changes to “A Country Girl Near the Dream City”:

A Country Girl near the Dream City (2012)

A Country Girl near the Dream City (2012)

The way I see it, if I have something that I am almost happy with, it’s worth the risk of making it worse and it’s worth the extra time (let’s say an additional 15%) to try and make it better. I have been forcing myself to just focus on the key aspects that will improve the painting the most and have been pretty good about not letting myself start changing too much. I also ensure that I have a good plan of attack and have done studies so that I know how exactly to alter the painting once I get started. In this case I had been thinking about changes since last year, and did some tests in Photoshop to make sure that if I did alter stuff that it would look the way I wanted, rather than just employing trial and error which could end in frustration and an at least temporarily ruined painting.

This one went smoothly and I’m really glad that I took the extra couple hours so that now I have a painting I am much happier about.

A Chaotic Nocturnal Reverie altered and completed

I decided to make some major changes to this painting. I messed with the face a bit more but decided I wouldn’t be happy even if the face was OK since the figure etc were too flawed.I debated this for a while but decided to just paint over the figure completely. I had spent a HUGE amount of time changing the face and figure but painting over it is not going to take away the stuff I learned working on this project – and now I will have a painting I can be happier with.

Here is the full painting:

A Chaotic Nocturnal Reverie

"A Chaotic Nocturnal Reverie" by Airn LeBus, 16x20 inches, oil on canvas, 2012.

Here is a detail view:

A Chaotic Nocturnal Reverie (detail)

A Chaotic Nocturnal Reverie (detail)

My previous posts on this have a lot more info:

Final post on the earlier version

 

 

Memento Mori MMXII – completed

OK, I have completed my Memento Mori painting.

I’m pretty satisfied with this but towards the end I just wanted to wrap it up and work on other projects! I started this in October 2011 so I’ve been working on it for seven months, off and on.

Here’s the finished painting:

Memento Mori MMXII

Memento Mori MMXII

I spent about 21 hours painting this, in many separate sessions. I also spent about 4 hours drawing / planning it and then another couple hours making the maquette model to figure out the lighting and doing additional studies with a skull model etc. I talk more about that in previous posts (below).

Here’s a detail view:

Memento Mori MMXII (detail)

Memento Mori MMXII (detail)

I think that “Memento Mori” will be a running theme for me for at least my next few projects…I usually work on a few paintings at once so right now I am planning my next one while I also redo some parts of my tragically flawed A Chaotic Nocturnal Reverie painting.

Happily I am also going right from finishing this onto another oil on wood panel project, the Robert Campin study I am working on. I really love painting something with an archaic feel onto smooth wood panel whilst listening to some Medieval music…quite lovely.

Here are my other posts on this painting:

1. Memento Mori: work-in-progress

2. Memento Mori: update 2

3. Memento-Mori: update 3

 

Rattus Magnus

I painted this for a Halloween thing in 2011. I think I did it in 1 day. It’s 11×14 inches, oil on canvas.

 

Rattus Magnus

Rattus Magnus

Sketch after Ridolfo Ghirlandaio

I’ve really been drawing a lot but most of the stuff is pretty quick or for whatever reason I haven’t been posting the stuff here. Here’s one I did last night though, I spent about an hour doing this sketch from a photo of a really amazing painting by Ridolfo Ghirlandaio. This is about 3×4 inches and it’s Col-Erase pencils on a greyish paper. I really like being able to add highlights onto a drawing…my primary medium is oil paint and it’s so flexible! I usually feel pretty limited when I am drawing instead of painting…

Anyway, here’s the sketch:

After Ridolfo Ghirlandaio

After Ridolfo Ghirlandaio

Digital art – Barnabas Collins from Tim Burton’s Dark Shadows film

So I don’t normally do digital art but I decided to enter a Deviantart.com contest and I thought digital was the only way to go based on the time I had to complete it and the nature of that site.

I submitted two versions to the contest. I included one of them below.

This took me a lot longer than I expected! Probably about 25 hours or so, over 5 days.

Hardly anyone viewed it, so I was a bit bummed out by the whole thing since I did work really hard on it. I’ve found that site to be like that though and won’t be spending much energy on it in the future…lots of art of dubious quality (in my opinion) gets thousands or tens of thousands of views but other stuff is almost totally unseen. Not too surprising I guess given the viral nature of the internet…and the audience on that site in particular seems partial to anime / cartoony art, retouched fantasy-style photos, etc.

In any case, here’s my digital “painting”:

Barnabas Collins digital painting by Airn LeBus

Barnabas Collins digital painting by Airn LeBus

 

I’ve unplugged my digital drawing tablet now though and have picked up a real brush to finish the oil painting I have been working on :)

 

A Country Girl near the Dream City

Update: I revised this painting later, new version is here

OK, I finished this a while ago but didn’t post it partly cuz I have been planning for a big Europe trip which I just came back from. I got to see lots of amazing art and scenery and stuff and am now fully inspired and ready to start on some new projects :)

I wanted this one to be a fairly quick project and I succeeded in that respect, this took me only about 12 hours to paint – that’s very short for me. It’s 11 x 14 inches, oil on canvas. I call it “A Country girl near the Dream City”:

A Country Girl near the Dream City

A Country Girl near the Dream City

A main goal was to use some atmospheric perspective in the landscape background and to use canvas instead of wood panel to try to get a nice soft feel, especially in the background. I am really happy with the way the landscape turned out and also had fun with the hair, which I did a bit differently this time. Some influences on this one were Tamara de Lempicka, Albrecht Dürer, and Leonardo da Vinci.

I used cobalt blue in the sky, landscape, and clothing. The landscape is mostly yellow ochre and other yellows plus cobalt blue.

I’m not sure how long I spent on the drawing and planning but I started painting on  March 2, 2011 and was done on April 3. I had a show I wanted this to be in so I didn’t putz around – it’s funny how much faster and smarter I work when I have a deadline. Looking back over my notes I had a good time painting this and it went very smoothly with minimal frustration – very nice after a couple recent projects that I kept changing over and over.

Here is the drawing:

Country Girl drawing

Country Girl drawing

 

After I completed the drawing I xeroxed it in order to preserve the original and rubbed graphite on the back of the copy. I then taped it to the canvas and went over it with a ballpoint pen to transfer the lines onto the canvas. I then went over those faint lines with a fine sepia sharpie and put a thin wash of transparent olive-green (black combined with yellow) acrylic to wash away the graphite and lock everything into place. I then painted everything directly with oils, no glazing or monochromatic underpainting on this one.

 

Transferring the drawing to canvas

Transferring the drawing to canvas

 

 

Duplicitous Dionara and Devious Diandra

This is my finished painting “Duplicitous Dionara and Devious Diandra”. It is 11 x 14 inches, oil on wood panel.

Duplicitous Dionara and Devious Diandra

Duplicitous Dionara and Devious Diandra

Duplicitous Dionara and Devious Diandra (detail)

Duplicitous Dionara and Devious Diandra (detail)

For this one I used a monochromatic underpainting / dead layer which I later glazed over in color. Here are the work-in-progress posts I did which include some photos of the dead layer: Duplicitous WIP posts

I spent about 30 hours painting this over about 8 months. I’m not sure how much time I spent doing studies and planning but I would guess 10-15 hours. That’s more than I usually spend planning…it helped me to avoid having to change stuff in the middle of the project.

Overall I spent the most time on the hair. When I first started this project it was supposed to be a quick one…I ended up making the hair complicated though and spent a rather long time on the faces too, so the project ended up being much longer and more complicated than I had expected.

Here are the main oil colors I used for this painting:

Underpainting of flesh areas: Raw umber and titanium white

Flesh tones – glazed and opaque color: Yellow ochre, cadmium red hue, titanium white, raw umber, burnt umber

Dress: Titanium white, phthalo blue, raw umber

Here are a some of the preparatory drawings I did for the hair and dress as well as a detail of the main drawing:

Hair studies for Duplicitous

Hair studies for Duplicitous

Dress studies for Duplicitous

Dress studies for Duplicitous

"Duplicitous" sketch

"Duplicitous" sketch

I don’t look on the studies as being just useful for this painting since they help me increase my drawing skills in general. On the hair I also wanted to learn how to do ringlets and curls better and I’m sure I will use that style in other works.